A hand holds an antique brass key against a dark background in a dramatic artistic composition.

Education & Advice

Off-Camera Flash & Supplemental Lighting - My Approach

Wedding days in Ireland at times don't come with perfect light, and honestly that is part of the magic. From candlelit receptions to fast moving dance floors and unpredictable weather, I use a thoughtful mix of off camera flash and continuous lighting to keep my photos dynamic, flattering, and consistent whatever the setting.


I use lighting in different ways throughout the day. Sometimes it helps create a strong visual statement, shaping a scene and adding drama or atmosphere. Other times it quietly blends into the surroundings, adding depth and interest so naturally that you may not even notice it is there.


And sometimes, I lean fully into the look of flash itself. Bold, direct, and editorial - when the moment calls for something with energy, attitude, or a fashion inspired feel.


My aim is simple: Beautiful light that feels intentional, whether subtle or striking.

My lighting setup is designed to be flexible, fast to work with, and discreet so it fits naturally into a wedding day without distraction.

A black and white photo sequence shows an energetic crowd reacting with excitement at what appears to be a live performance.

 

Let's Get Into The Kit

 

I control my off camera lighting using a compact wireless trigger system from Godox. This allows me to place flashes away from the camera and shape the scene more creatively, giving depth, softness, and direction rather than flat straight on light.


You can find the trigger i use on the godox Website linked here

My main off camera flash is a round head speedlight that produces soft even illumination with very natural fall off. It is quick to reposition and works beautifully for everything from morning prep's editorial moments to dancing the night away.


You can find the Speedlight i use on the WEX Website linked here

When I need more power or control, particularly in large rooms or for evening portraits, I sometimes use a stronger continuous light from Amaran or a more portable light from ZHIYUN. This helps me shape mood and direction more precisely, especially outdoors after sunset.


for the amaran light click here

for the zhiyun light click here

For more creative moments, I also use an RGB light stick, specifically the Nanlite PavoTube II 6C. This allows me to introduce subtle or dramatic colour into a scene depending on the mood I want to create. Sometimes that might be a soft warm glow that enhances the atmosphere, and other times it is bold expressive colour that completely transforms the feeling of an image. Because I can adjust both colour and intensity with precision, it gives me complete creative control while still working naturally with the existing light in the space.


for the  Nanlite PavoTube II 6C click here

A series of silhouetted figures against a sunset sky over the ocean.

 

Why It Matters for Your Photos

 

Thoughtful lighting helps create natural skin tones in any environment and keeps images crisp even when light levels are low. It allows for soft flattering portraits at any time of day and ensures consistent quality from morning preparations through to evening celebrations. It also gives creative flexibility whatever the venue or the weather brings.


Most importantly, it allows me to focus fully on storytelling and genuine moments rather than simply reacting to or relying on whatever light happens to be available.

Four vintage-style green signs with cartoon ghost illustrations mounted on wooden walls in dim lighting.

 

A Few Lighting Principles

 

Great lighting is often more about direction than brightness. Where the light sits and how it shapes a subject will always matter more than sheer power. Even a small light placed carefully can completely transform an image.


My setup is designed to be quick and adaptable so everything flows naturally without interruption. Sometimes subtlety is the goal. Other times the lighting is deliberately visible, bold, and expressive. Both approaches are intentional, and each serves the feeling of the moment.


I hope this guide has helped start you on your lighting journey!


Sarah